Nün Gherāo uses a 1978-79 massacre on the Marichjhapi Island in West Bengal, India, as its point of departure to explore betrayal, dispossession, and exile, and the desperate global resistance against great odds that fuels hope and survival. This work becomes activated through shared breath and rhythms, practices of mourning, overlapping time cycles, ritualized movement, dances of fire and of personal connection that tag different sites of memory through meditations on dancing in salt water, where one’s tears meet the rising and warming oceans of our world.